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Copyfight
November 22, 2004
Jumping Off the OmnibusEmail This EntryPrint This Entry
Posted by Donna Wentworth

Absolutely fantastic news: the aspects of the copyright mashup bill that had so many of us worried were dropped before it passed in the Senate this weekend. The omnibus is now a minibus -- S 3021 [PDF].

Kudos to Public Knowledge, the Home Recording Rights Coalition, the Consumer Electronics Association, NetCoalition, and many others for their hard work in this fight.

Says Gigi Sohn in the PK press release:


Consumers won a major victory when the Senate passed legislation removing the most egregious elements of the omnibus copyright bill that had previously been under consideration. We strongly support the version of the Family Movie Act included in the bill, which gives families more control over how they watch movies and television, preserving the right to skip over commercials. The bill will benefit consumers, both in their entertainment choices now, and from the innovation in technology that will result in coming years.

We are also pleased that HR 4077 was dropped from the bill that passed. That legislation would have lowered the standard for copyright infringement. The Senate also wisely removed the PIRATE Act, which would have made the government the entertainment industry’s private law firm at taxpayer expense.

The Senate should also be commended for including in the bill legislation helping to preserve orphan works and reauthorizing the National Film Preservation Board. These features of the bill are important steps in preserving our nation’s culture. We look forward to working with Congress in coming sessions to make further progress in advancing consumer interests and preserving copyright balance.


Reuters has more; so does CNet.

Later: Derek Slater: "Take note again of how much better the public interest is being represented today than just a few years ago. Still playing a lot of defense, but at least it's relatively successful defense."


Category: Laws and Regulations

COMMENTS
Alexander Wehr on November 22, 2004 03:56 PM writes...

The "prerelease" section worries me.

I am a lessig style "type c" sharer. particularly of fansubs.

I wade through official dvd's to get to my room door, but i'm unsure how the language applies to the activity of fansubbing.

It IS released to the general public, just not in the united states. While it is under copyright there is no guarantee it will ever be distributed (even if licensed for US distribution --i believe the title "tales of eternia" falls under that particular circumstance--.

As an extension, how does this apply to foreign music unavailable in the US? (Obscure chinese/japanese/german/italian/arabic artists whose works are only accessible through p2p).

Does this effectively serve as a blanket ban/censor on any work which american corporations dont want to put into mainstream marketing here?

The language as i last read it was nebulous at best. It really does worry me though.

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